Miloš Repický

Born in Bratislava, Slovakia and raised in France and Canada, Miloš Repický has developed a diverse musical presence as pianist, conductor, chamber musician, educator, and producer. He is on the music staff at the Metropolitan Opera, where he serves as assistant conductor and prompter, played harpsichord continuo for Le nozze di Figaro, and has led the musical preparation of Jenufa, La fanciulla del West, Anna Bolena, The Death of Klinghoffer, and Lady Macbeth of Mtsensk, among many other operas. He has collaborated regularly with the Cleveland Orchestra for operas including Tristan und Isolde, Cunning Little Vixen, Ariadne auf Naxos, Pelléas et Mélisande, and Daphne; Vienna’s Musikverein; Luxembourg Philharmonie; Lincoln Center Festival; and the Joffrey Ballet. He works regularly with the Santa Fe Opera and the Canadian Opera Company, and has also worked with Houston Grand Opera, Spoleto Festival, San Francisco Opera, the Dallas Symphony, the Royal Opera House Muscat in Oman, and the Orquestra Sinfónica de Galicia. Mr. Repický is also the artistic director of Music for Montauk, on Long Island, N.Y.

Credits as music director with Toronto-based Against the Grain Theatre include #UncleJohn and the development of a new, immersive work, No One’s Safe, at the Banff Centre. At Kennedy Center’s World Stages Festival, he conducted Tobin Stokes and Heather Raffo’s opera, Fallujah. He has performed chamber music and partnered singers at the Ottawa International Chamber Music Festival, Alice Tully Hall, Curtis on Tour, Carnegie Hall, Four Seasons Centre, Manchester Music Festival, Medici TV, TED, Jeunesses-Musicales de Montréal, and the Banff Centre. He is featured pianist on the Sundialtech Pictures multimedia DVD of Pierrot Lunaire. In addition to the Met’s HD, radio and SIRIUS satellite broadcasts, his performances have been heard on NPR, Performance Today, the Canadian Broadcasting Corporation, New York’s WQXR radio, and CUNY TV.